María Félix films: the 10 best

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One must grant María Félix that she is a unique woman. To prove this, it is enough to analyze its arrival in the industry, which happened by accident and largely thanks to its beauty. One day, while she was looking at some stores in the Historic Center of Mexico City, someone asked her if she was interested in making movies. Maria Felix quickly managed to transcend his image and build his legacy through his talent and personality. These characteristics that served as an influence for other actresses and directors who always saw Felix as an icon and a source of inspiration. For all the above, we present a list of the 10 best films by María Félix. They are all an excellent starting point for any moviegoer who wants to know a little more about «La Doña».

The rock of souls (Dir. Miguel Zacarías, 1942)

Maria Felix movies

Although The rock of souls It was the first of all María Félix’s films, the actress was far from acting like a rookie. It was in this production that she met Jorge Negrete, who they say once asked her who she had slept with to get the lead role. Of course, this did not sit well with the actress, who asked Negrete not to speak to her offstage. However, years later, in 1952, the actors would live a tragic romance and get married. This ended with the actor’s death in 1953 from contracting Hepatitis C in his teens. Interestingly, in The rock of souls, Félix and Negrete played two young lovers who had to fight against the hatred that existed between their families, the Valdivia and the Iturriaga.

Doña Bárbara (Dirs. Fernando de Fuentes, Miguel M. Delgado, 1943)

Maria Felix movies

Based on the novel by the Venezuelan Romulo Gallegos and directed by Fernando de Fuentes, Miss Barbara tells the story of the revenge of a woman who was sexually abused when she was young. With the passage of time, Doña Bárbara runs her ranch in an authoritarian way. With a clear disdain for the male sex, while trying to obtain justice by any means. Miss Barbara It is one of the most important films in María Félix’s filmography.

It was the project that would give her the tough image that she kept until the day of her death, as well as the nickname by which we all remember her: «The Doña ». In addition to all the above, the film has dialogues full of one-liners and a very neat photograph. Mrs Barbara It is the best option to enter a career in María Félix films.

Legend has it that the author Rómulo Gallegos was so obsessed with her that after meeting her at a breakfast at the Chapultepec Club, he said: “Here’s my Doña Bárbara!”

Continue reading: The best films of María Félix.

The woman without a soul (Dir. Fernando de Fuentes, 1944)

Maria Felix movies

The woman without a soul It is the second collaboration of María Félix with the director Fernando de Fuentes. The actress plays Teresa. She will not stop until she achieves her goal: to get out of poverty and into the most influential levels of society. The woman without a soul is one of the many adaptations and interpretations that exist of the novel The social reason from Alphonse daudet. At the cinematographic level, it may not be one of the most outstanding María Félix films. But The woman without a soul It gave Felix the fame of a man-eater and vampire that he solidified with many of his other roles.

In love (Dir. Emilio Fernández, 1946)

Maria Felix movies

In love was also nominated for the Palme d’Or at the Cannes Film Festival from 1947. There Gabriel Figueroa received an award for the photography of the project. As additional information, the director of the film, Emilio «El Indio» Fernández, I would try to repeat the success of In love with an English version without María Félix, an experiment that did not work despite Armendariz’s participation.

Continue reading: The best films of María Félix.

The kneeling goddess (Dir. Roberto Gavaldón, 1947)

Maria Felix movies

Continuing the tragic romances of Mexico in the 1940s, The kneeling goddess tells the story of AntonioArturo de Córdova), who gives his wife Elena (Rosario Granados) the statue of a naked woman. What Elena does not know is that the statue has the figure of Raquel (Felix). She is Antonio’s lover and the one who ends up destroying their relationship. Directed by Roberto Gavaldon, The kneeling goddess has an unforgettable scene that demonstrates the strength of María Félix on the big screen and that occurs when her character realizes that Antonio murdered his wife to be with her.

The reaction of “La Doña” is not one of concern, much less regret, on the contrary, Raquel seems to rejoice at such news. At a technical level, The kneeling goddess He also stands out for his camera work and art direction and costumes. These aspects were very careful in Mexican cinema during its Golden Age. Especially in this entry of the review of all the films of María Félix.

Río Escondido (Dir. Emilio Fernández, 1947)

In this film, the president of Mexico sends Rosaura (Félix), a young teacher, to a school in a community of Coahuila called Río Escondido. However, Rosaura has to face the evil ruler of the town, Don Regino (Carlos Lopez Moctezuma), who in addition to making her life very complicated, falls in love with her beauty and innocence. Directed by Emilio Fernández, Hidden River He managed to turn La Doña’s tough personality into a character that exudes humility and softness. These are characteristics that were previously unthinkable to relate to María Félix. The story is extremely didactic. The conviction with which everyone sells their characters together with the photography of Gabriel Figueroa make this project one of the most remarkable films by María Félix.

Continue reading: The best films of María Félix.

Maclovia (Dir. Emilio Fernández, 1948)

In Janitzio, near Pátzcuaro, Michoacán, Maclovia (Félix) and José María (Pedro Armendáriz) are two adults deeply in love with each other. However, her love has to face the unbridled wishes of Sergeant Genovevo de la Garza (Carlos López Moctezuma). He wants Maclovia at all costs. The characters of Maclovia They try to represent with images the Mexico that was still searching for its own identity after the revolutionary movement.

Maclovia it was one of the filmmakers’ most successful projects. So much so, that it was recognized at the Venice Festival in 1949 and at the Arieles of the same year in different categories. To date, the image of María Félix characterized as the titular character is one of the most popular portraits of the actress.

Doña diabla (Dir. Tito Davison, 1950)

Directed by Tito Davison, Doña Diabla tells the story of Angela. She is a woman who hates men and who is dedicated to using them after a love disappointment. Angela’s game turns against her when Adrián arrives (Victor Junco), an opportunist, to the life of his daughter Angelica (Perla Aguilar), who in turn disobeys his mother and gets involved with Adrián behind her back, bringing fatal consequences for everyone involved. Like other María Félix films, Doña Diabla it was nominated at Cannes in 1951. In addition, it awarded the actress the Ariel for Best Actress of that year. With Miss Barbara, Doña Diabla was another of María Félix’s films that reaffirmed her nickname and the strong character of a character who sometimes managed to filter through the big screen into real life.

Continue reading: The best films of María Félix.

Tizoc (Dir. Ismael Rodríguez, 1957)

Tizoc It is classified by many as the best film that the Golden Age of Mexican cinema gave to the world. Not only did he gather Pedro Infante and María Félix, but also awarded its director Ismael Rodriguez a Golden Globe in 1958 in the category of Best Foreign Film. The story of a high society woman who falls in love with an indigenous Mexican represented a milestone in the filmography of both actors. They made the romance between these characters one that we continue to remember to this day. As an extra piece of information, Pedro Infante could not take possession of the recognition that the Berlin Film Festival granted him for his performance, since it took place two months after his death.

The cockroach (Dir. Ismael Rodríguez. 1958)

The greatest achievement of this film is to bring together two of the great actresses in the history of Mexico, María Félix and Dolores del Rio, in the same movie. And Dona herself knew it. It is said that she made a special request to director Ismael Rodríguez to invite Dolores del Río to the project. This forced him to transform a character that (it is said) was originally intended to Elsa aguirre and that it had a minor importance in history.

The final result that we see on screen is a duel of actresses in which La Cucaracha, a revolutionary woman, and Isabel, a mature, intelligent and cultured aristocrat, try to win the affection of Colonel Antonio Zeta (Emilio Fernández). The story of Cockroach It is never up to the talent of all those involved or of other María Félix films and although it fulfills as a melodrama, the reason why it did not win the Palme d’Or at Cannes in 1959 is understandable.

The best films of María Félix.

Finally, if you are a fan of the Golden Age of Mexican cinema, we suggest you take a look at the 10 best films by Pedro Infante and the 10 best films by Cantinflas. Or, if you had it is the action, you can also check out the 10 best movies of the Saint.

The entry Films by María Félix: the 10 best was published first in Cine PREMIERE.

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