Lilo & Stitch director claims they were feminists before Frozen

This year it was fulfilled the 20th anniversary of Lilo & Stitch and the creatives behind it have given various interviews to the press. Among all the talks, director Chris Sanders took from his chest a pain and a small grudge that has invaded him for the last decade. And that is when Frozen hit the billboards, there were many voices that praised the fact that the film focused on the relationship of two sisters, instead of one with a prince, something that definitely Lilo & Stitch did first.

“To be clear, I think Frozen it’s great,” Sanders said. “But it was a little frustrating for me because people were like, ‘Finally, a non-romantic relationship with these two girls,’ and I was like, ‘We did it! That absolutely has been done before.’”

Lilo & Stitch told the story of a pair of sisters living in Hawaii who, after the loss of their parents, only have each other. Then Lilo, the youngest of them, unexpectedly strikes up a close friendship with an alien who falls to Earth by mistake.

The animated film has not been entirely forgotten. Which is why it is now being fondly recognized on its 20th anniversary. The film was nominated for an Oscar, though it lost to Spirited Away from studio Ghibli. However, its success translated into three sequels released in home formats, several television series and even a remake in live action being worked on as this is being written.

Despite this, when in 2013 the film Frozen reached the movie theaters, the critics recognized above all her feminist point of view. It also tells the story of two sisters who were orphaned after the death of their parents in a storm. One of them has the ability to generate and manipulate cold. And between the two they must save the kingdom that her parents built. The movie was also successful and even had a sequel.

It seems that Chris Sanders and his team have made huge strides in reconfiguring stories. Sanders was also a co-writer and co-director of mulan. In that, in the same way, the female figure is strong and does not necessarily need a romantic interest. However, Disney scholar Shearon Roberts points out in his book Recasting the Disney Princess in an Era of New Media and Social Movements,that the studio has tried since before. For example, he cites the strong female presence in films such as Aladdin Y Beauty and the Beastin addition to mulan.

But for Roberts, no doubt Lilo & Stitch was the one that made the leap -before Frozen– “by eliminating the male love interest.” In addition, the film was also recognized for its adequate representation in the culture of the place. The production recruited a Hawaiian team to work on the film and others as consultants. Especially when it comes to dancing. hulachoral arrangements and dialogue.

“When the movie came out, that’s what a lot of critics talked about,” explained Clark Spencer, who produced the film and is now president of Walt Disney Animation Studios. “Those moments that were grounded in reality in a way that people could see themselves, and it didn’t feel like they were cartoon characters.”

Lilo & Stitch turns 20 in its classic state. It can be seen through Disney Plus.

The entry Director of Lilo & Stitch claims they were feminists before Frozen was first published in Cine PREMIERE.

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